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Hemingway's Theaters of Masculinity, by Thomas Strychacz
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In this provocative book, Thomas Strychacz pursues an entirely new approach to the question of masculinity in Ernest Hemingway's work. He begins with a close reading of Hemingway's famous story "The Short Happy Life of Francis Macomber" and continues through the story cycle In Our Time; the short story "The Undefeated"; the novels The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea; and the nonfiction books Death in the Afternoon and Green Hills of Africa.
Challenging the traditional wisdom that Hemingway fashions a quintessentially masculine style and promotes an ideal of stoic, independent manhood, Strychacz argues that Hemingway's fiction poses masculinity as a theatrical performance. Masculinity emerges from a series of complex negotiations between male characters, readers, and cultural codes of manhood. Hemingway's "masculine" style should be seen as deeply rhetorical, inviting the audience to think of masculinity as a contention to be debated rather than a fact that demands acquiescence.
Drawing on feminism, gender studies, and the New Men's Studies, this book casts brilliant interpretive light on Hemingway's artistry. It contributes significantly to the larger cultural discussions about the nature of masculinity while offering an analysis and critique of masculinity in Hemingway's work that greatly extends recent scholarly debates about "masculine modernism." It raises the compelling question, What is "modernism" if "masculinity" is exposed as more problematic and elusive than previously suspected?
- Sales Rank: #6383105 in Books
- Brand: Brand: Louisiana State University Press
- Published on: 2004-01
- Original language: English
- Number of items: 1
- Dimensions: 1.07" h x 6.98" w x 8.74" l,
- Binding: Hardcover
- 344 pages
- Used Book in Good Condition
Review
"Strychacz presents a smart, ambitious argument that challenges conventional critical thinking about Hemingway's representation of masculinity while advancing fresh, illuminating readings of many key works. He demonstrates convincingly that Hemingway perceived manhood not as an essential, enduring quality but rather as a precarious effect of self-conscious performance before changeable audience."
About the Author
A native of England, Thomas Strychacz is a professor of English at Mills College in Oakland, California. He is also the author of Modernism, Mass Culture, and Professionalism and Dangerous Masculinities.
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